Drawings and constructions.

In the 1970s I developed the sharp focused pencil approach and my metaphysical interest into narratives in which each piece contains a story, though often moving into quasi surrealism.

The pencil elements become inserted into sometimes two or   three dimensional colleges and constructions that were influenced by my admiration of Joseph Cornell’s boxes.

Experiments with various acrylic techniques, including image transfers, intensified, sometimes even to the exclusion of the pencil images, but also, at times going back to very traditional media, such as silverpoint.